DropCue: The Pitching Platform That Tells You Who Actually Listened

September 28, 2026 · PlaylistSupply Team · 10 min read

Editor’s note: DropCue is a PlaylistSupply partner. This review is part of a content exchange: DropCue published our companion guide, Who to Pitch: Finding Venue, Radio, Playlist and Music Supervisor Contacts, on their blog, and the 50% discount below is an exclusive offer for our community.

Most artists have no idea what happens after they hit send.

You find the curator. You write the email. You attach a WeTransfer link or drop in a private SoundCloud URL. Then nothing. No reply, no data, no way to know whether your track was opened, skipped at the eight-second mark, or never played at all.

That blind spot is the most expensive part of outreach, because it means you can’t tell the difference between a pitch that didn’t land and a pitch that was never heard. We came across DropCue while looking at this exact problem, and it solves it cleanly enough that we wanted to write it up for anyone running their own campaigns.

What DropCue Actually Is

DropCue is a music sharing and EPK (electronic press kit) platform built for the moment after you’ve found someone to pitch. Instead of sending a raw file or a generic streaming link, you send a branded DropCue link that carries your track, your artwork, your bio, your socials and your press materials in one place.

The difference is what happens on the other side. DropCue tracks each recipient individually. You can see who opened your link, which tracks they played, how long they listened, and whether they came back for a second listen. Recipients can leave timestamped comments directly on the waveform, so feedback lands on the exact bar being discussed instead of arriving as a vague “the chorus needs work.”

It’s built by Tonal Chaos, Inc., runs on the web and iOS, and it’s aimed squarely at working music professionals: artists pitching curators and supervisors, producers sending beats, labels running A&R, managers circulating a roster.

Why This Matters for Outreach

Finding the right people to pitch and pitching them well are two separate problems.

The first one is what PlaylistSupply handles. You search Spotify and YouTube playlists in real time, find the lists actually driving discovery for artists in your lane, vet them so you’re not pitching a botted playlist, and pull the curator’s publicly listed contact info so you can reach them directly.

The second problem starts the moment you have that contact: what you send, how it looks when it lands, and whether you learn anything from it. That’s where DropCue fits.

Pair the two and your outreach stops being a guessing game:

• PlaylistSupply tells you who to pitch and whether they’re worth pitching
• DropCue tells you what happened after you pitched them

A curator who opened your link three times and played the track to the end is a warm follow-up. A curator who never opened it needs a different subject line, not a different song. Without open and play data you treat both the same way, which is why most artists’ follow-ups feel random.

The Features Worth Knowing About

Branded pitch links. Your name, your artwork, your colors. It reads like a professional presentation instead of a file transfer, which matters more than artists think when a curator is deciding whether to spend three minutes on you. Swap in a new mix and the link stays the same.

Per-recipient analytics. Opens, plays, listening time and repeat listens, all broken out by the individual person you sent it to. This is the feature that changes how you follow up, and it’s included from the Pro plan up.

Timestamped comments. Feedback attaches to a specific point in the waveform. Useful for curators, invaluable for co-writers, mixers and A&R.

Automatic metadata and tagging. DropCue detects BPM and key and can fill in empty metadata fields. It only fills fields you left blank and never overwrites tags you’ve already set, so your existing catalog organization stays intact.

EPK and portfolio pages. A permanent page that holds your bio, links, press and selected tracks. One URL you can put in an email signature, a pitch or a booking inquiry.

Email campaigns. On Pro and Studio you can send to a list directly from DropCue, up to 2,000 recipients per campaign, and see engagement per recipient rather than one blended open rate.

Access control. Password protection, expiring links and download permissions, so unreleased material stays unreleased.

Stems and alternate mixes. Nest instrumentals, radio edits and stems under the parent track. Sync and licensing conversations move faster when the alt versions are already sitting there.

Business tools on the top tier. The Studio plan adds a label directory, roster management, a Market Scanner for productions that need music, a pitch pipeline, an agreement generator, license and royalty tracking, and DropCue University, a 61-lesson course on the business of sync. That’s aimed at managers, publishers and small labels more than solo artists.

Who DropCue Is For

DropCue makes the most sense if you are:

• An artist pitching playlist curators, blogs or radio and tired of sending links into the void
• A producer sending beats and beat packs and wanting to know which ones actually got played
• A manager or label circulating a roster and needing engagement data per contact
• Anyone sending unreleased music who needs password protection and expiring links
• An artist who wants one clean EPK page instead of a Google Drive folder and a Linktree

If you’re only sending music a few times a year, you probably don’t need it. If outreach is a weekly habit, the analytics pay for themselves the first time you correctly identify which five of fifty curators are worth a second email.

A Word From the Founder

“I built DropCue because I needed it to run my own publishing company and composing business. Now every songwriter and composer gets a clean, modern home for their music, with professional-grade tools that used to take a whole team, now in every creator’s hands. It’s powerful without being complicated. The response from the community has been incredible, and there’s a lot more to come.”

Marc Aaron Jacobs, Founder, DropCue

DropCue Pricing and 50% Off for Our Community

Every DropCue plan starts with a 7-day free trial that unlocks the full Pro features, and no credit card is required. These are the published prices on DropCue’s pricing page:

Pro and Studio prices scale with catalog size, from 1,000 to 20,000 tracks.

New DropCue users from the PlaylistSupply and Booking-Agent.io community get 50% off the first month, or the first full year, of any DropCue plan.

How to Use DropCue Alongside PlaylistSupply

Here’s the actual workflow if you want to run this properly.

1. Build your target list

Open PlaylistSupply and run a Similar Artist Search on an artist whose audience overlaps with yours. It pulls the playlists already driving discovery for that lane, ranked by real “Discovered On” data rather than follower count. If you’re new to this, start with the guide on how to get on Spotify playlists.

2. Vet before you pitch

Run anything that looks too good through the free playlist checker. A 400,000-follower playlist that shows almost no real discovery is a botted list, and landing on it can work against you with the algorithm.

3. Pull the curator contact

PlaylistSupply surfaces publicly listed curator contacts, email and socials where the curator has made them available.

4. Build the pitch in DropCue

One link with your track, artwork, a two-line bio and your socials. Password it if the release isn’t out yet. Add the instrumental as a nested version if it’s relevant.

5. Send, then read the data

After a few days, sort your list by who opened and who played through. Follow up with the engaged ones, referencing the playlist by name. Ignore the ones who never opened, or try a completely different subject line before you write the song off.

6. Repeat across channels

The same DropCue link works for radio programmers, talent buyers and music supervisors. If you’re running outreach on those fronts too, RadioPromo.io, Booking-Agent.io and SyncPlacement handle the targeting side the same way PlaylistSupply does for playlists. Good places to start: how to get your music on the radio, how to book your own tour and what sync licensing pays.

Try It Yourself

Two pieces, one system. PlaylistSupply finds the right people. DropCue makes sure your pitch lands well and tells you what happened.

More on the list-building half: our guides to pitching Spotify playlists in 2026, spotting fake playlists and finding YouTube playlists and curators.

Frequently Asked Questions